Wednesday
Coal Biting
The Winter of Our Discontent
Tuesday
Monday
The Abyss of Madness: Acatalepsia as Horror in the Tales of H.P. Lovecraft
The themes and elements this essay is primarily concerned with occur most often in what has become known as Lovecraft's 'Cthulhu Mythos'. These are the interconnected stories concerned with Lovecraft's invented cosmology of bizarre, pre-human races, and a pantheon of supremely powerful, extra-dimensional beings such as Cthulhu, who slumber beneath us, waiting for the day they will be awakened to ravage the world. Lovecraft's tales tend to follow a simple framework; a level-headed, sceptical scholar comes across some strange bits of occult knowledge, usually related to the dreaded (fictional) tome Necronomicon, pries too deeply into realms man was never meant to see, and is promptly driven mad by the revelations it brings.
Or, perhaps, the lack of revelations. China MiĆ©ville, in his introduction to At the Mountains of Madness, points out that the key to Lovecraft's horror is not an intrusion into the status quo, as in most horror, but a realization of the true nature of the universe in relation to oneself. This is true, but it ought to be noted that the nature of the realization itself is one of acatalepsia, or unknowability; Lovecraft's universe is implacable, eldrich, and incomprehensible by the human brain. The protagonists are often unhinged as much by the idea of nature as insane, as by the malicious forms it takes on. More often than not, Lovecraft omits detailed descriptions of his creations because they cannot be described at all. In what is perhaps his most effective story, The Colour Out of Space, a family comes across a meteorite with properties unexplainable by modern chemistry, and which begins to infect their farm with a strange, dim luminescence of a colour “...almost impossible to describe; and it was only by analogy that they called it a colour at all.”
Another common method Lovecraft employs in displaying the truly foreign is in how he describes the architecture of his inhuman races. In coming upon the nightmare city of
Beyond these and many other particulars, Lovecraft says it best when he expressed that, in properly weird tales,
“A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguards against the assaults of chaos and the daemons of unplumbed space.”[1]
Here one can see that Lovecraft considers the real essence of terror to be helplessness rather than the perception of peril. If one recognizes a threat from a certain quarter, one can prepare to meet it. Even if one is hopelessly outmatched, one can at least have the comfort of understanding the threat itself. In Lovecraft's world one cannot even do that. The terror originates from a contradiction of man's nature, the desire to know; man fears the unknown only because he fears it may be unknowable. The consequence of this is the crux of the matter; Lovecraft's horror revolves around the understanding that if the universe is not rational, then we cannot be sane. Indeed, The Call of Cthulhu opens:
“We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in their own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age.”
Through his weird tales, Lovecraft leads one to the conclusion that this view of reality is nothing other than a horror story, which, true or false, remains an ultimate revolt against what man perceives to be his nature and his sanity. That many atheists, including Lovecraft himself, continued to act out their own lives as if they were in fact meaningful, only demonstrates that they have taken the advice of Lovecraft's protagonist and fled from the deadly light, stopping their ears from the sound of Great Cthulhu slumbering under their feet. Perhaps they have realized that intellectual dishonesty is a small price to pay for sanity, however illusory.
Friday
I'll tell you a tale
Monday
Good Salad Day
Thursday
Valerie Plame - The Decemberists
No video, but nevertheless, a new Decemberists single is always cause for celebration.
Wednesday
Tuesday
men, marines, and maple syrup
Monday
Oh, Wes
Sunday
thing I have discovered at Hillsdale
Thursday
Kat Dennings
Saturday
Movie legend Paul Newman dies, 83
A statement from Newman's family said: "His death was as private and discreet as the way he had lived his life."
His Butch Cassidy co-star Robert Redford paid tribute, saying: "There is a point where feelings go beyond words... I have lost a real friend." " - BBCWednesday
Monday
Saturday
dysfunctional
Monday
Monday morning Quarterback #1
Saturday
Thursday
New Memorials, New Remonstrances
Tuesday
Sunday
Here we go again
Thursday
Edvard Radzinsky
Monday
And while we're at it...
Flannery!
Here's something you won't hear every day. Flannery O'Connor, a year before her death at 39 from Lupus disease, gave a lecture at Notre Dame. It consisted of a short talk on some aspects of the grotesque in southern fiction (along with some insightful remarks on what it means to be a Catholic writer) and a reading of her short story A Good Man Is Hard To Find. I went looking for a recording of the talk, and found that the only place it was available was if you ordered a copy from ND's archives, which was way too expensive. After a bit of researching, I found an obscure internet radio station that had obtained a copy and had broadcasted it a while back. I streamed the radio episode from their website with Realplayer, recorded the lecture with an audio capture program, converted the .wav file to .wma (mp3 was too lossy) and uploaded it to the internet.
Anyway, for those of you interested, here's The Morning Oil exclusive of one of Catholicism's best writers ever reading her own work (you've got to love that accent).
Note: The files have been re-uploaded as of January 15, 2010
1. Some Aspects of the Grotesque in Southern Fiction
2. A Good Man is Hard to Find
Also, check out the recording of Chesterton here.
Kodak Moments
This Is Ivy League
So, for the next bit, I'm going to be posting music videos of new bands I'm finding. One of the most interesting and engaging has been This is Ivy League, who sound remarkably similar to the Beach Boys, but with more thought out lyrics. I'd recommend you also go to hypem.com and search for their spectacular covers of The Magnetic Fields' "You and me and the Moon" and Arcade Fire's "Crown of Love."
19
Josh Schicker
Urban Exploration
Thursday
Olympic Spirit
The site of the student protest of 1989, the place of death for two to three thousand (Chinese Red Cross estimate) deaths on June 3 and 4 of 1989. And all the commentators had to say was "What a spectacular location for today's race."
The camera panned up and I saw the massive gilded photograph of Mao Tse Tung. A man who has been held responsible for 70 million deaths; his own people, murdered for the devil's own cause. I switched off the TV.
There probably are worse locations for the 2008 Olympics, and I am sure I could name some off the top of my head. But why does the civilized world do nothing? Why do we rely on badly organized protests and cheap bumper stickers to salve our consciences? The People's Republic of China is a communist state with capitalist economic power. Which makes the possibility of its implosion frustratingly remote. This government uses Yahoo and Google to track the computers of those dangerous citizens who dare look up Tiananmen Square or any other incident with less than perfect PR. This government still makes liberal use of arrest without warrent, surpression of political debate, and religious persecution. Families are held to completely unnatural standards of reproduction, and our own State Department record of China's human rights violations reads like a 1930s NKVD For Dummies.
I don't know what the answer is. I don't know whether we should have boycotted these games or not. I would like to believe that somehow our sense of right and wrong is not dictated by what is politically expedient, financially beneficial, or even by the possibility of athletic immortality. As much as world records matter, some things are simply more important. And as long as China continues to treat its citizens (not to mention the denizens of those countries China has invaded) as cogs in a machine, to be tinkered with or discarded at will, I think the rest of the world has a duty to put up some kind of a fight.
Sunday
December 11, 1918-August 3, 2008
Friday
course of action
Saturday
Wednesday
Hellboy II
Sunday
Look what I did!
Saturday
Fairie and Falsehood
Chesterton once famously said, “Not facts first, truth first.”
This is the essence of fairy stories. Based on fact, imbued with truth, they are a child’s bedtime Sunday school. Whether or not you think unicorns or griffins ever existed, the lessons we learn from true fairy stories are as real as can be. Because a real fairy story has to have definite morals, clear representation of good and evil, and rules that must be followed, I believe Guillermo del Torro’s Pan’s Labyrinth was a failure. Its antithesis is M. Night Shyamalan’s perfect fairy story, Lady in the Water. The chief difference to me is the beautiful innocence of Lady in the Water as compared to the total lack of it in Pan’s Labyrinth. Story flees from those who would harm her; Ofelia, trying to escape from her father, doesn’t just put enough sleeping drug in his drink to knock him out. She puts in what should be enough to kill a cart horse. The good guys in Lady in the Water are genuinely likable. They unite to save Story, putting aside personal convenience and differences. Meanwhile, back in Pan’s Labyrinth, del Torro presents us with a band of Communists hiding in the woods plus Ofelia (unless you count Ofelia’s mom, who is essentially a non character). These guys heroically euthanize their comrades and don’t kill their enemies…they just torture and mutilate them. Lady in the Water is all about following the rules; the climax of trying to get Story home involves the characters discovering their roles in her survival and fulfilling them. Ofelia breaks the rules in the Guy-With-Eyes-On-His-Hands house, but escapes. The consequences of this misdemeanor turn out to be no consequences at all, since Pan doesn’t desert her for good, like she was told. It was more like five minutes. And of course, one of the worst things about Pan’s Labyrinth for me was that the whole fantasy was in Ofelia’s head. None of the magical kingdom was real. She sees it all one last time while lies dying…then she’s back on the cold hard ground and breathes her last. In Lady and the Water everything was real. There was no death of the child; rather, Cleveland must become like a child to hear the rest of the story, and the veteran says at the end “I wanted to be a child again.” Then there’s the overall message. The only thing I could really pick up from Pan’s Labyrinth was that “life is pain.” Funny quote when it’s made by a guy talking to the love of his life while dressed up as a pirate; there, the irony is that he’s about to make all her pain go away. In Pan’s Labyrinth, we have one dead mother, one dead little girl, one fake world where everything’s interesting and magical, one real world where the people you care about die, one evil father who is nonetheless shot dead in cold blood, and one baby in possession of a supposedly good maid who has a suspiciously sadistic side. On the other hand, with Lady in the Water, life has meaning. “Every living being has a purpose,” Story tells Cleveland. The man who was a doctor wasn’t supposed to be a building superintendent. This is made clear all through the movie, as he is late to fix the plumbing, can’t fix the sprinklers, keeps getting calls from a lady complaining of the smell upstairs, and fixes the light bulb above Vick’s desk weeks after being asked to do it. We see rusty handrails, grass overgrowing the courtyard, and other signs of neglect and decay. Only when he accepts his role as Healer is Cleveland able to ask forgiveness from the family he wasn’t there to protect, and go back to doing what he was born to do. He thanks Story for saving his life: she saved him because he saved her. I feel like Lady in the Water wasn’t received well due in part at least to the fact that our world’s nature is steadily growing more jaded and cynical. If you’ve outgrown fairy stories, then of course Lady in the Water seems a bit much, what with the strange names, the improbable creatures, and unworldly plot. However, if you’ve outgrown fairy stories, you’ve mistaken what is childlike for what is childish, which is exactly the mistake so many make when viewing Lady in the Water.
“Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.”
Friday
oh, and this stuff over here...
couldn't resist
Tuesday
Windbag
Sunday
Sore throat
Saturday
trampling out the vintage
Friday
one of those things
Theres a growing feeling of hysteria
Conditioned to respond to all the threats
In the rhetorical speeches of the Soviets
Mr. Krushchev said we will bury you
I don't subscribe to this point of view
It would be such an ignorant thing to do
If the Russians love their children too
How can I save my little boy
From Oppenheimer's deadly toy?
There is no monopoly in common sense
On either side of the political fence
We share the same biology
Regardless of ideology
Believe me when I say to you
I hope the Russians love their children too
There is no historical precedent
To put the words in the mouth of the President
There's no such thing as a winnable war
Its a lie that we dont believe anymore
Mr. Reagan says he will protect you
I dont subscribe to this point of view
Believe me when I say to you
I hope the Russians love their children too
We share the same biology
Regardless of ideology
What might save us, me and you,
Is that the Russians love their children too
I love this song for two reasons. For one thing, the music itself is so haunting and compelling that I think of it almost as an audial rendition of Chambers' masterpiece Witness. Secondly, it's all quite wrong! The lyrics are as misguided as they are poetic. It serves as something of a reminder of the seeming permanence of the Soviet Union, and the impossibility of ever ending a Cold War. The truth is that the fall of communism as a world wide threat was nothing short of a miracle. and that's what this song makes me remember.
Plus, I love Sting's voice.
Saturday
My life is just so hard
The Swell Season
So, this is rather late in coming, but I seem to have fallen pray to an irresistible urge to put up as much info and pictures from this concert as possible. Criticism seems to abound on his blog (ahem...Catherine) about Once. I would just like to point out that the two musicians in it, Marketa Irglova and Glen Hansard, are very talented and that their music is unique and beautiful. I had the privilege of attending their latest concert, and it was phenomenal. It somehow held all the charm and fun of an Irish gig, while filling the Keller, which was packed to the rafters, with the full sound of a classical performance.
Wednesday
Time for something else
Tuesday
What Happened?
M. Night Shyamalan's latest offering has confused me. While I retain some remnant of belief that this must be a good film because of the guy who made it, the fact remains that I have never been more horrified by a movie in my life.
There were things I liked about it, of course. Mark Wahlberg's character was great, and the husband/wife relationship was fabulous. As in most Shyamalan films, the portrayal of ordinary people was touching and rang very true.
However, the violence in this movie was of a sort that I found nauseatingly reminiscent of Pan's Labyrinth. There was that same cruel calmness in it, although in this case I might be persuaded that there was a point to it. The levels of sheer violence were much higher. And when it ended, I was more shaken than I've ever been at the end of any movie, including such emotionally disturbing examples as Hotel Rwanda, Beyond the Gates, Schindler's List, and The Killing Fields.
I'm thinking I need a certain brother in law to watch it. Too bad Lander won't get it in for several more months...
Sunday
Educate Yourself
Saturday
Tuesday
psh
Thursday
ah well
Sunday
The Tuynmans Experiment
Thursday
Look
Sunday
Drummond & Son
If you haven't heard of Charles D'ambrosio, then go read his short story, Drummond & Son, immediately!
Tuesday
Monday
Thursday
Worst Ever
Saturday
Observation on the Film "Once"
Thursday
What's cookin'?
Monday
Hope
Friday
Cool Blog
Some of you may have met Darren Cools while he was here working for the Owens. He is a really neat artist, and I've enjoyed his blog very much. If any of you are interested: Crashbox.
Thursday
Instructables
Tuesday
some thoughts
Thursday
and then...
Wednesday
the greatest nation in the world
It is evident enough that America can claim this title currently, but I would argue that it is applicable no matter how far back on the timeline you go. Certainly no other country or even empire on record has ever wielded the power we do now. We indisputably have the capability of conquering the entire world in almost a moment's notice, if only for the superhuman weapons array we possess. The only other claimant I have heard for greatest nation in the world is Rome. It seems like a fair enough claim, given that Rome did indeed conquer the known world at the time. To me, however, the fact that America, with the power it has, has not conquered the world shows more impressive greatness.
Rome was great and magnificent. But Rome was also thoroughly pagan, pagan in ways that America, with all the flaws and morally reprehensible customs has never been. Rome condoned infanticide, the father's right to demand an abortion of his pregnant wife, or even then sell the newborn child into slavery to earn money. Prostitution did not just exist, as it does here, but it was legal. It was even expected at certain religious festival in select temples. America's moral situation is hazy at best when it comes to sexual issues. Pornography and underground sex slavery does happen here. But doesn't it say something when it is still an enormous scandal when our elected officials are involved with such things? Involvement with prostitution for such an official can ruin a career for life.
Rome knew it was better than all its neighbors, and so felt morally justified and possibly even impelled to conquer them. America is sure of its golden opportunities and stands ready to welcome all those who wish to come in. "Bring me your weary, and your poor..." stands as another "Come to me all you who labor and are weary..." Rome never rode to anyone's rescue that I remember. But over the twentieth century, rescuing the weak could almost be mistaken for America's primary foreign policy. Korea, Vietnam, Kuwait, Somolia. Any tiny, helpless nation being attacked from within or without is not too tiny to merit America's attention. Any major catastrophe, be it tsunami, earthquake, or flood, who's there first? The United States Marine Corps. I find it hard to imagine the Roman Legions responding in like manner.
And that, ultimately, is why I believe America to be inexpressably greater than Rome. It is great in a Christian sense, not in a pagan sense. Perhaps no soldiers matched the legionaires of Rome in the millenia between them and America. But I know the Marines are a match for anyone, anywhere, anytime. And they are the ones with the order of the Tomb of the Unknown Soldier, the pin of which you cannot wear unless you refrain from drinking, swearing, and other immoral behavior for a year while guarding the tomb. What did Rome have to match that? They watched gladiators slaughter each other and wild animals tear apart Christians for entertainment. At least we are more addicted physical contact in sports such as football, where no one has died since they stopped wearing those leather helmets. Is this weakness? No. It is greatness.